Everett divorced her husband in 1939 and moved back to New York where she appeared in music videos, then called “soundies,” and appeared in her first film the same year, Keep Punching.
Throughout the 1940s she became the go-to lead for “race films” that catered to Black American audiences. In 1946 she starred in Dirty Gertie from Harlem U.S.A, a film directed by a Black man.
Hollywood executives were not impressed with her prominence in Black Cinema, and insisted she play stereotypical Black roles like maids. Everett refused, however she did end up appearing in two Hollywood-produced films, Lost Boundaries and No Way Out before retiring from show business in the 50s.